“Flurries of work called a flight of ideas meshing to create a practice that is pathologised and saddled. Or maybe it’s a fake nail left on the coffee table after a night out, caught in one of the wire sculptures and ripped off. There’s a violence to the sculptures, as pretty as they are, they cut, catch and enclose the body, preparing it for consumption by an audience. My work explores power - or maybe a delusion of it - social power, sexual power, the power of the seductress and especially the power of being able to manoeuvre my way into a gallery space. I like to imagine the works as a parasite, their shiny allure poisoning the curatorial brain. Saturated in too many ideas, events and feelings; characters with clashing storylines tied together by a mess of different mediums all bathed in sultry red light and maybe even a smoke machine for dramatic effect. The works are created zooming between the social space and the studio space (conveniently partially located in my garage). I use the social space as a testing ground, both for sculpture and performance. I build environments fresh out of the party, practice the power I preach, literally entangling my guests with my woven nets. Maybe the group creepily staring at us from the couch is a motivator, or the girl who told my friend she wasn’t like the others as she lit her cigarette stating “I look older than I am”. Vignettes of moments, captured in writing and installation - visual diss tracks and love songs that I secretly hope the subject understands. Little ceramics to be played with, dancers who’s stares you indulge in, caught on video and played back to you. Do you understand it yet?”